It emphasizes a vital item most artists and labels don’t (want to) understand: lifetime of a music release is shorter and shorter. The peak sales ( maturity ) is reached in a short time and listener/buyer s attention should be maintained having a bounce mechanism based on a constant and planned flow of content.
Separately, the building’s Michael Buble tour dates 2020 owners are usually hunting for a new tenant given Gibson’s instability. We’re actually unclear who owns everyone and property, though rapid ejaculation likely a new lessee would use the property to advance a unique business interests instead of developing a historic shrine for music fans.
Universal is doing a similar to the original Moody Blues. Not one cent of royalties for 48 years. Even tho they’ve been questioned over this (the initial 5 did NOT sign their rights away) Universal claims they don t must tell the band members anything. It s not about music, it s not concerning the artist s rights it s exactly about greed and corruption.
There are other issues that we’ve got made available to judge Stone. Digital Music News has repeatedly stated that we now have no more information relating to this anonymous commenter, and put that written. Yet in private written correspondence, attorney Giger has flatly accused Digital Music News of lying, while lecturing us with completely misguided and uninformed information in connection with database architecture. It makes this whole exercise seem vindictive, both against Digital Music News and also the anonymous commenter. It seems like it might be extremely damaging to Grooveshark’s case in New York whether or not this was discovered that this anonymous commenter is really a Grooveshark employee. But the discovery would also apparently position the whistleblowing commenter at serious risk.
Its nice to view the breakdown of every artist as well as the level of streams and listeners they have got, however the question I am using is; why would an enterprise spending some time and to develop and support a platform that, even though wildly successful, will never generate enough revenue to aid the label or perhaps the artists?